I can also set it up to work in a similar way as the Digitech Whammy, but with no expression pedal needed. It can handle pitch shifting anything I throw at it.
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I've got a full video dedicated to how I use the Vertex Boost here.Įlectro Harmonix Pitchfork - The Pitchfork has been a part of my rig for years. It's completely clean and very simple to use. Vertex Boost - This creative take on a boost pedal is a great way to get the problematic volume potentiometers out of your signal path. This is also hooked up via MIDI so I can control any parameter with my Morningstar MC8.
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With any free space left over, I'll use the HX Stomp to cover wah and stereo modulation. On this board, I'll be primarily using it for everything having to do with dry-tone: compression, varying levels of overdrive, amp simulation, etc. Line 6 HX Stomp - Does anything need to be said? This is my favorite guitar pedal of all-time. If I ever feel like I need just a tad more gain or mids, this is an easy way to accomplish it without diving into menus on my HX Stomp. J Rockett Archer Gold - This is my little secret weapon that I've hidden underneath the top layer of the Waggi pedalboard. Chorus, tremolo, and other modulation effects are set up to occur after overdrive and amp simulation for a high-fidelity sound. I have it set up in pre/post routing mode so that I can get certain effects like autowah, univibe, flanger, and phaser before my signal hits the overdrive section. It has 8 available presets that I'll be able to trigger with MIDI. Wampler Terraform - The Terraform will be covering most of my needs for mono modulation. You might recognize it as just a smaller version of the normal Boss TU-3. It has a fantastic input buffer and is always on.
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You' ll also need small zip ties (cable ties if you're from Europe) to keep the cables attaches to the mounts.īoss TU3s - This is the first pedal in my signal path.
Handles - the pedalboard will end up being pretty heavy by the end of this build, so I've reinforced these handles with wooden blocks and washers underneath the board to help distribute the weight.Ĭable Management - I'll be using 3M Cable Mounts to secure the cables to the underside of the pedalboard to to keep everything nice and neat in the case that I need to replace a cable in the future. For this build, I decided to go with the Cioks DC7 as the main unit and the Cioks C8E as the extension. They're modular, meaning that if you start running out of outputs, you can power another Cioks module off of your first one. I went with the 28" model, but really the whole lineup is designed incredibly well.Ĭioks Power Supplies - these power supplies are some of the absolute best available on the market. For example, the power supplies, MIDI distributor, DI box, and always-on pedals can be hidden away and won't take up precious real estate. The flip top leaves plenty of room for the essential pieces of hardware that you need on your board, but don't need frequent access to. Otherwise looks like i'm making it myself, fun as that may sound, i'm quite out of my depth, so this is my official call for help.Waggi W28 Pedalboard- I like the Waggi pedalboard design. It's at this point i'd like to offer to anyone who can point me in the direction of an existing product that will do this for me and wont cost me a bomb.
At £220 to just solve what must be a common problem i'm kinda confused. Those made by midi solutions, and unless i'm willing to sell a leg and/or arm they still require 2 induvidual units. Sounds common eh? Nope! All i can find are products like. So I started to look for products on the market that would solve my problem, i just wanted 5 MIDI ports merged to 1, and 1 MIDI port expanded to 5. So daisy chaining isn't an option, and theres only so many times you can swap round the cables before you go crazy!!
It recently occured to me that i have 5 MIDI devices in my studio, none of which have MIDI through ports, and an audio interface with just one MIDI port for in and out. OK so i'm new round here, but i do love making stuff!
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